That Drifting Poo Was Far Too Meaningful! These Are the TV Letdowns of the Year.

Looking back, we reflect on the TV offerings of the past year, a selection of shows emerge not for their excellence, but for their notable failures. From cringe-inducing spin-offs to confusingly bad docuseries, here are the productions that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Burdened with dreadful scripts, painful arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to justify its existence. Briefly, as the final series started, it looked like it had at last hit its stride. Then came an installment centered on Seema’s natural deodorant. Little surprise the showrunner announced this would be the last series. It ended on a bum note; the lingering shot of Miranda’s toilet flooded with poo was simply too on-the-nose. Yet, fans undeniably had a hoot dissecting every single “wtf?” moment. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who couldn't release a small sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's problems. The recipient of a very rare no-star assessment, it was hard to know where to begin listing the flaws. The laughably wooden dialogue? The tedious veneration of affluence and materialism? The seemingly deliberate procession of tropes? Acting so bad they felt almost spiteful? Let’s just say “all of the above” and never speak of this show again. However, a new season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the restraining orders, abuse claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d truly have known it from this three-part documentary which chuckled along at Sheen’s various episodes of self-destructive excess while failing to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any pity this show might evoke should be reserved for the people who have had to endure proximity with this charming but dismissive egotist.

The Iris Affair

Naturally we knew it was preposterous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

The Gangster Drama

Dodgy characters meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to accommodate baffling dialects. But there were plenty of other issues. Primarily that it was just really dull; a dispute over narcotics territory between various London rogues which felt rather simplistic.

The Meghan Markle Series

Given the degree to which she grinds the gears of the nation’s performatively enraged commentators, it’s temptingly easy to admire the Duchess of Sussex’s various forays into quaint homemaking as intentional provocations. But then you watch them and are compelled to concede that in this case, they might have a point. It’s like watching a homeware magazine animated; a poster for wine o’clock with ideas of grandeur; a parade of snoozing dogs, humming beehives, Hallmark platitudes and pointless crafting “hacks” you’ll not remember instantly. All supported by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about regarding Victoria Beckham and her journey with career, identity, self-worth. But for whatever reason, this documentary series chose not to explore them. Instead, the experience was like consuming a sales catalogue. She clearly has every right to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this guarded letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The series ended up smelling of a production that was straining desperately to live up to something way beyond it.

Too Much

How does one succeed a show that defined a generation? The expectation was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the smart inclusion of talented emerging comics, hopes were high. But sadly, most of it didn’t land. A recurring sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply provoked the idea that they should probably have remained in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled sensitively. Rather, the series struggled painfully to find the right voice, lurching from strangely jaunty, somewhat stylised farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? Nope! This international thriller about government agencies spying on – and eliminating – academics frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator renowned for sexual exploits as she undertook her most extreme challenge yet. What on earth would possess her? What we wanted was way more interrogation of her true psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who showed up to haul her son out of the queue. What we got was disturbing shots and absolutely no interrogation of her infamy whatsoever. And to think, the documentary-maker has a teenage daughter too.

Nicole Wallace
Nicole Wallace

Maya is a digital marketing strategist specializing in SEO and content optimization, with over a decade of experience helping brands improve their online visibility.